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Besides that, it is a straight forward EQ. It starts out opening with 4 bands, but the flexibility of ReaEQ comes from adding or subtracting frequency bands as needed. All of Reaper’s plug-ins have a plain and straightforward layout and look. Reaper’s built in plug-ins don’t look the most visually appealing, but you should never judge a book by its cover. If you’re hungry for more plugins, check out the Reaper Stash on the Reaper website.
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Reaper has a large assortment of plug-ins included in the form of JS plugins (simple and compact plugins whose code can be directly modified) and VSTs made by Cockos. Community resources like the SWS Reaper Extension package is what really shows the power of customization within Reaper.
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One tool that is not included directly with a download of Reaper but needs mentioning is the SWS Reaper Extension Installing this group of extensions adds many useful actions in one package, including easy track and item coloring menus, a notes window for tracks and regions, a window for common resources, markers that run actions when past during playback, and more to assist productivity. Modifier keys (shift, control, alt, command) can be changed any way you like, just like keyboard shortcuts can be reassigned. You can even import and export shortcuts to share with others or move to other systems. Actions can be chained to create a sequence of actions to get more finished in a simple command. This allows for many different editing functions to be added to your workflow using your keyboard or MIDI controller. For example, if you’re often bypassing and enabling effects on a track to see how it affects a mix, it might be useful to assign that action to a key or MIDI signal. Reaper’s action list shows all the available actions that you can map to a keyboard or MIDI input. Reaper’s real power comes in the form of actions. Even the default toolbars allow for tools to be removed or added from them for ease of use. The toolbar docker window lets you add even more window docking capabilities in whatever location you’d like.
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Windows such as the mix window, media browser, MIDI editor and others can be locked right into the docker, allowing you to view as much or as little on your main screen as you want. Virtually anything that you want to modify in Reaper can be changed according to your needs. The biggest draw for Reaper users would without a doubt would be customization.

Render queue even works across multiple projects, allowing you to render a whole collection of works.

Just open the render queue and start adding to the list. If you need to walk away from your session but need to render audio, you won’t be forced to manually start all your renders at your desk, like in other DAWs. For example, you can add multiple tracks without naming each of them for separate takes in the multiple tracks menu. Simple quirks about other DAWs are built into Reaper by default to save you time. Flexibility with tracks is endless, allowing you to use a track however you want, whether you want it for MIDI, audio, busses, virtual instruments, or effects returns. Instead, you decide what you want a track to do as you go.
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There aren’t any pre-defined “track types” in Reaper as there are in Pro Tools or Logic, in which you choose between audio tracks, MIDI tracks and so on. Reaper has plenty of noteworthy features, and a one major point is the flexible track system. With Reaper 5 having just been released, there’s even more to love in this feature-rich DAW for professionals and beginners alike. If you ask one of Reaper’s loyal users, you’ll likely hear about the features you’re missing out on with other mainstream DAWs. With loads of options today for music creation, you may not have heard of Reaper, touted as one of the most customizable and compact DAWs on the market.
